Play and Destruction

A recommended reading list on toys, the atomic bomb, and the unlikely intersection of the two

Three books,Iconoclasm As Child's Play, This Atom Bomb in Me, and A World Destroyed

 

 

Continuously in demand since its first, prize-winning edition was published in 1975, this is the classic history of the development of the American atomic bomb, the decision to use it against Japan, and the origins of U.S. atomic diplomacy toward the Soviet Union.

In his Preface to this new edition, the author describes and evaluates the lengthening trail of new evidence that has come to light concerning these often emotionally debated subjects. The author also invokes his experience as a historical advisor to the controversial, aborted 1995 Enola Gay exhibit at the National Air and Space Museum of the Smithsonian Institution. This leads him to analyze the impact on American democracy of one of the most insidious of the legacies of Hiroshima: the political control of historical interpretation.

 
When sacred objects were rejected during the Reformation, they were not always burned and broken but were sometimes given to children as toys. Play is typically seen as free and open, while iconoclasm, even to those who deem it necessary, is violent and disenchanting. What does it say about wider attitudes toward religious violence and children at play that these two seemingly different activities were sometimes one and the same? Drawing on a range of sixteenth-century artifacts, artworks, and texts, as well as on ancient and modern theories of iconoclasm and of play, Iconoclasm As Child's Play argues that the desire to shape and interpret the playing of children is an important cultural force. Formerly holy objects may have been handed over with an intent to debase them, but play has a tendency to create new meanings and stories that take on a life of their own. Joe Moshenska shows that this form of iconoclasm is not only a fascinating phenomenon in its own right; it has the potential to alter our understandings of the threshold between the religious and the secular, the forms and functions of play, and the nature of historical transformation and continuity.
 

This Atom Bomb in Me traces what it felt like to grow up suffused with American nuclear culture in and around the atomic city of Oak Ridge, Tennessee. As a secret city during the Manhattan Project, Oak Ridge enriched the uranium that powered Little Boy, the bomb that destroyed Hiroshima. The city was a major nuclear production site throughout the Cold War, adding something to each and every bomb in the United States arsenal. Even today, Oak Ridge contains the world's largest supply of fissionable uranium.

The granddaughter of an atomic courier, Lindsey A. Freeman turns a critical yet nostalgic eye to the place where her family was sent as part of a covert government plan. Theirs was a city devoted to nuclear science within a larger America obsessed with its nuclear prowess. Through memories, mysterious photographs, and uncanny childhood toys, she shows how Reagan-era politics and nuclear culture irradiated the late twentieth century. Alternately tender and alarming, her book takes a Geiger counter to recent history, reading the half-life of the atomic past as it resonates in our tense nuclear present.



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